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I so miss my blog. There is so much going on and I want to be out here talking and sharing with you all but life sometimes gets in the way. As you already know I lost my dad and that completely disrupted my entire life from Thanksgiving through late January and upon returning home I became ill. Not…I’m not feeling too well ill…but coughing up a lung…sleeping all day…near death kind of sick. I think it was a combination of forcing myself to be well while dealing with dad (as I had no choice but to), and cleaning out his place (that contained a lot of dust, dirt, and mold) not to mention a lot of lifting and carrying on a back that has already endured two surgeries…well that’s a long way of saying that it completely disrupted everything but at least…as of yesterday I was well and “back in the saddle”.
That being said…my poor authors have been gravely neglected in all of this. I feel bad that I’ve delayed several releases so yes, until I get these done I can’t spend time on blogging so I’m sneaking in very quick drive by post to just bring up something very important.
Okay enough prologue let’s have at it.
I’ve talked a lot about the changing face of publishing. For those that haven’t followed my old posts it stems from changes in technology that has self-publishing and small press publishing viable from a financial stand point. So for the past few years I’ve been dividing publishing down three lines: big-six, self-published, and small-press. I now have to revise this grouping by adding two new classifications.
One the surface of things you might say, “Robin, isn’t Amazon just another publisher like Penguin so it should be treated as such?” Well a while ago I would agree with you (and why I didn’t break it out separately but several major developments have made so that we really have to treat this classification differently.
- First, Amazon is unique in that it has access to the biggest reader database in existence. Not only do they know buying habits, but they have millions of email addresses. As proven by their recent invention “deal of the day” they can place any title in the top 10 anytime they want to and this can mean a pretty big spotlight at any time. This is a good thing for Amazon-published authors.
- Second, they have instituted exclusivity practices that limit the distribution of their author’s titles. In particular, if you are published through Amazon your ebooks won’t show up in the ibookstore or Barnes and Noble or anywhere else. To maximize sales you want to make it easy for people to buy your books and cutting out entire segments of the marketplace doesn’t help the author. I realize why Amazon is doing this…and it might turn out the best thing for their authors (high concentration in one place rather than diluted sales) but all in all I think this is very bad for the author.
- Third, no bookstore presence. Yeah, I know…bookstores are closing…they aren’t as important as they once was…I get it. But the fact remains there are still a ton of sales sold through stores and for some authors they won’t consider themselves a “real author” until they see the books on a shelf at their local B&N. Originally it was the indie bookstores that banned Amazon produced books. But now Barnes and Noble and Books-a-Million have instituted similar bans. Originally my thought was… “If a book is a bestseller they’ll have it for sale.” Now I’m not so sure. They are drawing battle lines and I don’t think exceptions will be made. This is terrible for authors who signed on with Amazon with the promise that they’ll have both print and ebooks. Sure, they’ll still sell books online…and that is a large number of books but in many respects I think the selling point of going with a publisher is widespread distribution. Since Amazon authors don’t get this it helps to put them in a different category.
Okay, this really isn’t a different publishing model, but rather recognition that authors that do more than one type of publishing simultaneously. Joe Konrath is a great example of a hybrid author as he has self-published titles, big-six titles, and amazon titles. Nathan Lowell is a Ridan author who is also a hybrid as he has his Trader Tales books done through us but has self-published shorter works as well as his fantasy series.
But why should I break out a Hybrid-published author? Because if you plan on being one…you need to pay particular attention to you contract details…or you won’t be able to be a hybrid author. When my husband (author Michael J. Sullivan for those new to my blog) went to sign with big-six Hachette we shocked to discover that we weren’t signing up to just one series, but there were clauses that could affect publication of OTHER yet to be written works. This wasn’t Hachette trying to “put the screws” to Michael…as we learned the clauses are standard and exist in virtually every contract especially offered by the big-six…but that’s exactly the point and why I’m bringing it up. Michael’s original contract could be a career killer. It has stipulations like he couldn’t publish ANYTHING until six months after the book was released but they had up to two years to bring it to market. Seriously? He can’t publish anything for possibly two and a half years? What’s more he could also be prevented from writing fantasy books, so no possibility of sequels or prequels. We considered these restrictions “career killers” and almost didn’t sign. After four months of negotiation, we finally got the clauses adjusted so that both sides were satisfied but I wanted to ensure that he “could” become hybrid if that is a choice he wants to make. Nathan is fortunate that he is signed with Ridan as we place no restrictions on other works…none whatsoever…so becoming a hybrid was an opportunity he could avail himself of.
My goal with this blog is to help to keep authors a breast on changes in the industry. But with greater choices requires the author to take more responsibility for knowing what is going on and what the implications are. Things change quickly in the business. I’m amazed that nary a month goes by without some “really big” new announcement. I applaud authors that think about the business side of their writing, and especially for those that think about these things before they are actually finished. As always I stand by my “no right choice” just a choice that “best suits” the goals of the author. There are now more choices so more to think about, but in the long run a well educated author will be way ahead of the pack.
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